This Passion Never Dies, by Sophus Keith Winther
Review by John Henry
(New York: Macmillan Co., 1938)
The final act in the Grimson family trilogy, This Passion Never Dies, begins in the late spring of 1920 and ends in the late summer of 1923. Much like the previous novel in the series, there are two main plot threads of the story. One thread follows the aged and worn Peter and Meta Grimson as they struggle to hold on to the farm in Weeping Willow, Nebraska, which they now own. The second thread follows their third son, Hans, as he finishes college in Lincoln, searches for romantic love, and faces the trials of early adulthood.
World War One had brought boom times to Nebraska farmers, and the Grimsons, caught up in the prosperity, had bought their farm at high-times prices. Falling crop prices after the war and throughout the time of the novel makes every successive year a struggle for Peter and Meta to hold out against bankruptcy. Their two oldest sons, Alfred and David, have both married and left the farm. Hans is away at university much of the time. Karl leaves for California and truck farming; Frank for Omaha and business. Only the youngest son, Bryan, is left for farm work, and he wants to finish high school in town and work less on the farm. Without the fulltime help of his boys, Peter’s physical and economic strength wither away, year by year. By 1923, the farm economy is in depression. The result for Peter and Meta is predestined. Along the way: deeply unhappy marriages, the death of two wives, spousal abandonment, orphaning of grandchildren, alcoholism, stealthy big-city land speculators, heartless small town bankers, abortion, violent hailstorms, bankruptcy auctions, violent death, falling, falling farm prices, and sundry other calamities.
Hans, who graduates from the University of Nebraska as the story opens, is torn between his deep love for his mother and loyalty to his aging father, and the opportunity to return to the University and continue his studies in graduate school. Further, Hans experiences both the confusion of sex without love which ends in tragedy, and he also experiences the longing for a love which seems always beyond his reach.
For this book, Winther is able to nicely intertwine the two story-lines: the failing farm and confused young man. Hans’s conflicted romances drive him back to the farm where he loyally struggles to the end with his parents, but he always hopes to return to the University and his intellectual destiny. So the two stories work together and make a whole.
There is some very fine writing in this book. One instance concerns Hans’s search for an abortion “hospital”, located in the neighborhood of the Omaha meat-packing district, a frightening vision of a human-made hell, complete with tormented bodies and degraded souls:
“On each side were the tall, dark walls of the packing houses. The air was dead, motionless and heavy with the smell of decayed meat. The sidewalks were crowded with workers—there seemed to be hundreds of them. To Hans they were masses of men with no individual character to distinguish one from the other. They all wore aprons and they were all bespattered with blood. Their hands were bloody, there were blood stains on their faces, their aprons were dotted with dark, red clots. Flies were everywhere. There were millions of them crawling on the sidewalks, clinging to the windows and doorways, but most conspicuous on the men’s clothing. Every movement that a man made to light a cigarette or to make a gesture raised a cloud of flies. The men sat listlessly on the curbing or leaned against the walls of the buildings. They were tired, dull masses of human beings, apparently insensible to the hopeless filth of the street, and the unbearable stench. Hans saw only one man clearly. He was a Negro who sat flat on the sidewalk, his back against the wall and his legs stretched out before him. His eyes were closed, and the flies were crawling over his mouth which was open, his lower jaw hanging down loose, like an unlatched granary door.
On the other hand, there is some silly writing in this book, which usually occurs when Winther is describing Hans’ romantic episodes. An example:
“What are you talking about?” she answered.
“You. Your body. I want to look at it forever. Janice, I did not believe I could ever love anyone as I love you this moment. I love your feet, your ankles, that little dimple right there on your knee, this soft curve of your thigh which clings to the palm of my hand as though both hand and thigh had an individual, conscious love of their own apart from our consciousness.”
. . . Then she lifted her hands to his face and held it while she looked into his eyes. “Even our thoughts are united.” she said almost in a whisper. “You could not desire anything of me that I would not wish you to have before you could put your hope into words. These long weeks have taught me what life and death mean. I know what life is and I have experienced all that death is except its one boon, forgetfulness.”
To me this passage seems over-wrought. I can’t see that worldly and sexually experienced twenty-eight year olds would, at the moment of long awaited passion, speak to each other like this. I am, I admit, old, slightly cynical, and long-married. So perhaps I am forgetful of the follies of young love.
But the good writing and the workman-like writing strongly overbalance the weight of the few clunker sections in This Passion Never Dies. The pacing of the plot is usually exciting. The fates of the characters, especially the long suffering immigrants Peter and Meta Grimson, grasp the imagination. We know them. We come to love them as their sons loved and respected them. The Danish immigrants who left everything behind and came to this country, who worked honestly and unceasingly, who stoically faced tragedy after tragedy, and who never, never, lost hope in the promise of America.